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Amazingly, this is not mentioned in the Canon specs. ... MATT’S PICK: ARRI ALEXA MINI LF. and a height of 7 inches displaying 4K capture, The Canon C500!!!! I felt that this matched the Kodak 5201 daylight stock that I had used frequently in the past. Working the the team at Epic Light Media, filmmaker Armando Ferreira has gotten three extremely popular >4K cameras to test: the 6K-shooting Canon EOS C500 Mark II, 8K-capable Canon EOS R5, and the mind-boggling URSA Mini Pro 12K. Necessary cookies are absolutely essential for the website to function properly. It has much tighter grain. All this contradiction make really hard to choose Canon camera. This site uses cookies to enable important site functionality to make your browsing experience more convenient and personal. These cookies will be stored in your browser only with your consent. Canon has been receiving a lot of emails and inquiries asking about how their Dual gain Output sensor actually works. These cookies will be stored in your browser only with your consent. This card format can provide a sustained data rate of up to 1700 Mb/s without the need of an external recorder. The C500 II will offer up to 60p in 5.9K/60p in Cinema RAW Light S-35 or up to 120p in a S-16 crop. This was a test that the Alexa cleaned up on. Weight and Balance. Just like with the C500 Mark II, Canon has put the audio controls for the C300 mark III on the right-hand side of the camera. Canon C500 – shot with Canon RAW 4K and Codex S Recorder. From my point of view, the EOS C500 Mark II is going to appeal to those shooters who don’t want to spend money on a Sony VENICE, ARRI Alexa LF, Mini LF, or a RED Monstro, but want a camera that is better than an EOS C300 Mark II, Sony FS7 etc. We noticed that the bit depth color on the C500 seemed really thin once we got over 4000 ISO, which is still pretty impressive. Day ISO Tests These extensive tests between the Arri Alexa and the C500 were conducted over three days with seven other cameras. Using Canon supplied IDTs, images captured on the EOS C500 Mark II can be imported directly into the ACES compatible systems. MATT’S PICK: Canon C500 Mark II. At 160, the contrast was beautiful as well. This website uses cookies to improve your experience while you navigate through the website. And the solution is simple: C100 mk III - 4k up to 60p 10bit 4:2:2 400mbit,. If you use a Metabones or similar, then you may find this a frustrating experience. A new dedicated LUT button gives additional operational flexibility. It was creamier in its overexposed areas. Canon C500 Mark II PL Cinema package EF/PL mount 5.9K Arri baseplate, Canon C700 viewfinder, 2x Cfast express card, card reader, 2x V-Lock battery, charger, FF-5 follow focus, 4x5.6 mattebox, TVLogic 058, O'Connor head, standard tripod, short tripod, Hi-hat: … However, when you are going for a specific look, these tests need to be done internally so that you can personally see which camera sensor responds best with the specific way that you expose. High-speed Continuous AF auto focus, smooth, intuitive touch focus operation as well as an improved focus control that recreates a more natural focus pull. We use this cookies to provide our services and to make the website work as well as possible. In this corner, weighing 13.7 lbs. The Canon C300 Mk II feels very solid and is cased in a sturdy Magnesium chassis. For more information, refer to our, Visit Vimeo to watch these videos in 1080p, How to Set Up Menus for Cinematic Capture on the Canon 1DC. If you’re using cine lenses or heavier zoom lenses then definitely yes. In the other corner, weighing 6 lbs. The Canon C500 Mark IIis definitely more expensive on paper. Users can also capture footage internally using Canon’s own XF-AVC codec. You also have the option to opt-out of these cookies. Last but not least, is the C500 Mark II. THIS ARTICLE AIMS TO INTRODUCE THE CURRENT RANGE OF WIRELESS LENS CONTROL SYSTEMS WHICH VMI CONSIDERS THE BEST IN THEIR FIELD AND EXPLAIN WHY WE THINK THAT THEY WORK VERY WELL IN GIVEN SCENARIOS. Canon’s Dual Pixel CMOS AF Technology function really has to be seen to be appreciated. Canon EOS C300 Mark II Canon EOS C700 The device has a standard memory slot (such as an SD or micro SD card slot) that enables you to extend the built-in internal storage with affordable memory modules, or easily retrieve data, such as photographs, from the memory card. From a color grading point of view, the look can be defined as an ordinary documentary look. My favorite film stock to use is Kodak. I did this using a Sekonic light meter so that it was accurate. I loved the in-depth tests that the experienced cinematographers had put them through. Here is a list of Netflix approved UHD cameras as of November 2020. The EOS C500 Mark II supports Canon Log 2 and Canon Log 3 Gamma. Here is a breakdown of its best capabilities, Watch the VMI Review below or the details below. First, the film looks polished and professional. I embraced Canon back in the spring of 2009 because it was the right tool to tell the story on Act of Valor. The creamy skin of the Alexa reigned true, and the C500 seemed to energize the subtle cool fill light much more than the Alexa, but overall you could cross cut these cameras very easily. I like to do these tests both in the day and at night. This test was very interesting. So in our view, only the Canon C500 Mk II offers everything at a really competitive price and our package which includes the amazing OLED viewfinder, LCD with touch panel and Extension 2 box with 4 x proper audio inputs offers a very versatile camera indeed. Canon incorporated what they refer to as DGO (Dual gain Output) into the C300 Mark III. I will describe the subtle details in narration so that it is a much more immersive experience. Other companies pushes 10bit in small form mirrorless and even Canon have 10bit external on EOS R yet c200 is only 8bit 4:2:0 in mp4 or 12bit RAW. The C500 seemed like you had to be very exacting. RED Gemini (No longer available due to bandwidth)107GB. This article illustrates the advantages which VMI believes offer the cinemtographer over similar cameras. It held all the backlit cloud detail and did not blow out in a video looking way. I started at -2 stops down from the key light on the fill side, which is the camera left side of her face. Give the customer what they want. Canon C500 Mark II (No longer available due to bandwidth) 41GB. Essentially this is very similar to what ARRI does with the ALEXA. Additionally, video output from the camera can be monitored by selecting the ACES Proxy. I felt that both cameras delivered the test well. Like our articles and website? Sony FX9 Download 1.37GB. Look at the grey card, the shadow in the trees behind them and the shadow areas on their faces for the digital noise as we crank up the ISOs on each camera. The C500 II incorporates 2 x XLR audio inputs but when used with the Extension 2 module, this increases to 4 x separate XLR audio inputs. The look felt softer even though it was sharper, if that makes sense. The standard EF mount is non-locking. It records up to 5.9K images to internal CF Express (same form factor as XQD cards). The C500 at 850, its native and its most dynamic range, could barely hold the backlit cloud detail. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. This is a test I like to do because it gets you in the head space of what fill levels your camera sensor responds to on a face. Unlike its big brother the Canon C700, the Canon C500 II can only capture Cinema Raw Light to internal cards and not the full RAW format, though the quality is excellent This efficient codec also benefits the user to be able to benefit from long record times (up to 50 mins of 25p in 5.9K Cinema Raw Light on single 512GB CFExpress card). Should you opt for a locking mount? Cookies store useful information on your computer to help us improve the efficiency and relevance of our site for you. In February this year, the Canon C500 Mark II entered this prestigious list with the new codec Cinema RAW Light. In common with the Canon C700 FF, the C500 II offers 10 stops of built-in ND. The reason is … By accessing this site, you consent to the use of cookies. Canon introduced a fascinating camera, although it’s probably going to cannibalize the C700. We also use third-party cookies that help us analyze and understand how you use this website. / Learn & Help The Arri Alexa became our C action camera, high speed camera car camera, and our extreme contrast situation camera – again using the best aspects of the sensor to its advantage. VMI is providing the Extension 2 back as standard with the Canon C500 Mk II. Canon R mount. It depends on the lenses you are going to use it with. Canon’s autofocus technology has continued to improve and the latest dual pixel CMOS AF system is the most sophisticated ever, allowing smooth, high-performance focus tracking and face detection on the Canon C300 Mk II and C500 Mk II cameras. THe C500 Mk II is also compatible with original Canon log, Canon Log 2 or Canon Log 3 if preferred. Post-Production. I like -2.5 stops on our model and I thought a guy could easily handle -3.5 stops on the fill side. Nor did it show the subtle details of her different skin tones like the C500 did. As for this moment, the brand new C300 Mark III is not on the list. EF locking (CM-V1) 2. The reason a cinematographer selects a specific camera for their film is the look and feel of the sensor and their lenses, not because they are under contract with them. Without an External Recorder, the C500 is a C300 Mark I Simply put, without an external recorder, you get nothing worth noting spec-wise in the C500 that you don’t already get in a C300 Mark I. There is no extreme looks or dreamy nor dramatic imagery. Canon’s only other Full-Frame camera that can film in Cinema Raw Light is the C500 Mark II ($15,999). The Camera Test Line Up The Arri Alexa The C500 Shane taking a meter reading . We made this our top end, if we had to go there. I found that as we increased the Alexa’s ISO, it built more contrast in the blacks. This test was a major factor in our decision to shoot with the C500. Canon just introduced the Canon C500 Mark II, the long-awaited successor to the C500, which takes a much more modular approach than previous cameras in Canon’s Cinema line-up. The Canon C500 Mk II uses the same sensor as the Canon C700 FF, built into a versatile, modular compact form factor camcorder which is shorter than the C300 Mk II and body weighting just 1.75kg (without battery). These cookies do not store any personal information. That is what we do as cinematographers. Sign up now to receive monthly notification of articles, case studies, courses & workshops and new products. I lit the model more with a side light so that we could see the fill level better. We will be keeping up the comparison tests once a month. I believe you choose whatever sensor is best for the story and that may mean incorporating multiple cameras. It looked cinematic. Canon Color & Autofocus. But let’s get back to the C300 Mark III, fast forward 9 years to the presence – first off, the Canon C300 Mark III feels very much alike the full-frame C500 Mark II (watch our first hands-on here and read our lab test looking at the dynamic range and rolling shutter of that camera here). But opting out of some of these cookies may have an effect on your browsing experience. With the daytime ISO test, you can really see the digital noise that would not be as apparent during the night because it can be masked in the blacks, aka the darkness of night. Free Solo: Canon C300 Mark II in action: Screenshot from Canon The image quality of the C300 Mark II and URSA Mini. Image from Blackmagic Design. All the lights on the street seemed to respond well to these levels and felt balanced. Audio input from the camera’s internal microphone, mini mic port, and XLR ports can be assigned to the 4 different audio channels. The choice is made based on the fact that they love the way the sensor delivers their vision, which helps create their art. This website uses cookies to improve your experience while you navigate through the website. If the exposure was a little under or a little over, it would handle it. 15 stops of DR. I think the details that I am pointing out still shine in HD. It can be supplied with a choice of native PL or EF mount and will record 4K+ images either in 16:9 or anamorphic formats. To further fine tune AF performance, the EOS C500 Mark II offers the ability to set the AF tracking speed and response. I compare digital camera sensors to film emulsions. (as an aside, whilst the Sony FX-9 can offer great auto-focus as well, the fast speed required will require that you work on a native E mount lens (such as Sony G-Master). This is paramount. The fall off into the shadows was gradual and elegant. There are many AF modes which can allow the user to totally avoid the feared ‘focus hunt’. It did not feel like the shadows were falling off a cliff. B4 mou… When viewing our tests, the Canon color space on the big screen felt like Kodak. I love canon c300 mark ii but unfortunately can’t afford it. Just like what Sony did with the FX9, ARRI did with the ALEXA MINI LF. / Technology. With the Cinema EOS cameras it really is as simple as “battery, media, lens” and you’re shooting. Privacy Policy - Terms of Use - Cookie Policy | © 2020 © Hurlbut Visuals, All Rights Reserved. The EOS C500 Mark II supports Canon Log 2 and Canon Log 3 Gamma. Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in … For now, though, media is a bit of a struggle for the C500. One thing that I pride myself in is the integration of using multiple formats to tell your story and with that using what each digital sensor does best. Arri Alexa Mini LF (No longer available due to bandwidth) 136GB I loved the minimal noise level at 320 ISO. A Star is Born and Green Book were both shot on the ARRI Alexa Mini, a four-year-old camera that can’t even natively shoot proper 4K images. So they made a short video to try and explain it. We never share our email data and commit to never sending out more than one email per month. Canon EOS C500 Mark II. The handle is also much more solid than on the Mark I, as Canon clearly realise that it will be used with film lenses which are larger and heavier than equivalent DSLR lenses. This was a daunting task to pull off.
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